The R.A.P. Soundstage - September 2015

We get things started this month with September’s Editor’s Choice Award winner, a promo from Colin McGinness at UKRD. Not only is the promo written and produced by Colin, but he composed the music himself! Track 2 is the commercial Dennis Daniel talks about in his debut Commercial Chronicles column on page 12. Track 3 is the promo Dave Foxx mentions in his Production 212 column on page 9. Commercials are on tracks 4-10, starting with a pair of 30s from JJ Thomas, which feature a very creative way to localize a spot, and we wrap it up with a few promos on tracks 11-14.

  1. ►Pirate/Most Wanted Promo, Colin McGinness, UKRD, Bristol, United Kingdom
  2. Radio Western, Dennis Daniel, Cameron Advertising, New York, NY
  3. Production 212 audio, Dave Foxx, Z100, New York, NH
  4. New Amsterdam/City, JJ Thomas, Cumulus Radio, Dallas, TX
  5. Red Arrow Brewing Company, Shawna Sovie, Vista Ideas Group, Kelowna, British Columbia
  6. Fontwell Park/Armed Forces Raceday, Alex Shenton, UKRD, Bristol, United Kingdom
  7. Minions, Shae Bolding, Kraze 101.3, Red Deer, Alberta
  8. Reverse Dealer/Nice Kitty, Jeff McKnight, CHUB/CFDV/CIBW/CHBW, Red Deer, Alberta
  9. Hanbidge and Bowman/Time of Need, Ryan Spooner, Larche Communications, Owen Sound, Ontario
  10. Hancock Realty, Tim Hammond, Southern Cross Austereo, Bunbury, Western Australia
  11. Labourday Weekend/2day FM Campbell River, Cameron Wendt, Vista Ideas Group, Kelowna, British Columbia
  12. Rock Ur Block/Innisfail vs Sylvan, Jamie Rankin, CHUB/CFDV/CIBW/CHBW, Red Deer, Alberta
  13. Cjay/With The Band/Nickelback, Gary McClenaghan, Bell Media, Edmonton, Alberta
  14. Clock Change, Adam Venton, UKRD, Bristol, United Kingdom

Help support the RAP Soundstage by sending some audio you’ve recently produced at your studios. Please include your e-mail address for anyone interested in finding out details about the work. Promos, commercials, sweepers/IDs, bits, spoof spots, song parodies, and most any other good piece of production are welcome. If you send sweeper/ID montages, make them around sixty to ninety seconds long max. All other items should be sent as separate files. Please normalize your mp3 files and trim the silence from the front and back. Email to jv@rapmag.com, and thank you for supporting the R.A.P. Soundstage, formerly known as The R.A.P. CD and The R.A.P Cassette from way back in the day – none of which exist or have existed without you. J

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